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| The Hunger | 1983 |
Some
stories have an unexpected impact on you…
The Hunger (1983) was precisely this kind of film.
I was not
expecting much of the movie at all. I wanted to watch it because it was a
vampire movie I had never seen, and because it featured David Bowie. That was
all.
The plot was very original… I generally prefer
classic vampire stories, in which vampires have fangs and are wounded by
sunlight, but I really, really enjoyed this one, even though it was anything
but traditional. Miriam (Catherine Deneuve) is the vampire. She turned her
husband, John (David Bowie) over 100 years ago, and they have been together
ever since. The movie begins with the two of them feeding on the “young and
beautiful of New York City”, at the sound of "Bella Lugosi is dead", in a
wonderful sequence that ended with a beautiful shower scene between the two
main characters. They don`t have fangs, none that we are able to see, at least. Instead
they use a piece of jewellery shaped like an Egyptian ankh to pierce the
victim's necks and drain them of their blood. Blood flows from the wounds,
mixed with water, down the drains… It is a beautiful opening scene.
In spite of the originality of the plot - and the disregard for common vampire elements such as the deadly power of the sun - The Hunger preserves the feeling of a vampire story, and the emotional content of one... In particular the weightiness of forever, and the promise of everlasting love.
"Forever and ever"
It doesn't
take long, however, for it to become clear that John is aging, and aging fast.
He is losing his hair… There are wrinkles around his eyes… And as it turns out,
he is expecting this to happen… There have been others. It`s Miriam's gift, and
her curse, that she can give others the gift of immortality, but it never lasts…
After a hundred years or so, they start to age and decay…
When that
happens she looks for another companion… There have been so many up until John…
She hopes and wishes that this time it will be different, that she will never
have to loose him… but wishing for a thing does not make it so. And with John fading
fast she is going to need a new companion… That’s where Sarah (Susan Sarandon)
comes in.
The
cinematography is beautiful and it is filled with scenes that rely on
silhouettes against closed curtains, which I think really works for the movie.
The way the characters interact, the way the camera captures them, in front of
each other or moving around one another… It is beautifully done…
The music
is fantastic. John is a cellist (yes, David Bowie's character is a cellist…
It's like they made the movie with me in mind :P), and the movie features the
first suite for cello solo (how could it not?) and the Flower duet from Lakmé
(the perfect soundtrack for Miriam and Sara)
The Hunger
is a story about loneliness and isolation… It really spoke to me, and it
transported me in an afternoon in which my mind needed to be taken elsewhere… I
loved the aesthetics, and the story, and I didn`t even mind the ending… I will
definitely watch to this one again…
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| The beautiful shower scene, right at the beginning... |
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| I love the way the movie plays with light and color and silhouettes |
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| Bowie at the cello... And to think I was practicing this morning... |
The Hunger, 1983 | Directed by Tony Scott | Written by Ivan Davis and Michael Thomas | Based on The Hunger, by Whitley Strieber | Catherine Deneuve, David Bowie, Susan Sarandon
















