 |
The Hunger | Whitley Strieber | Simon & Schuster Pocket books | Oxford Union Society Library | 357 pages |
"Everyone knew the sins of Miriam Blaylock. Her crime, and it was an unforgivable one, was to enjoy human beings as friends and lovers, rather than to simply exploit them. She could kiss them and find it sweet, have sex with them and afterward sleep like a contented tiger.
When I first watched The Hunger (1983), the movie seemed like it had been made exclusively for me. The vampires, the cello, the passion of it all... It was heartstopping. Which is why when I saw the book from which it was adapted at the "new acquisitions" shelf at the Oxford Union Library a few months ago, the temptation was too great to resist.
The book does not disappoint.
The story, is essentially the same as that of the movie, which I have written about, already, when I first watched it, a few years ago. Miriam Blaylock is a vampire. Not a human who was turned into a vampire at some point in the past, like in so many other stories, but an entirely different species, gifted with everlasting life. She is capable of sharing her gift with humans, transforming her companions into beings with unnaturally long life. But not forever. Invariably, they wither and die.
At the beginning of the story, Miriam's husband, John, is dying. He doesn't quite understand what is happening to him, or why the Hunger that plagued him since Miriam's first bestowed her gift upon him is burning stronger. As he decays, Miriam watches, lamenting the inevitable end of someone she loved so dearly. She is looking for a new companion, and a woman, Sarah Roberts, draws her attention. Sarah is a brilliant physician-scientist, one whose research is very close to explaining Miriam's very existence, even though Sarah hasn't really met her yet. But she will. Miriam will make sure of it.
One thing that surprised me about the book, in comparison with the movie was how much time they spend trying to explain Sarah's research, with some techno-babble about her work with Rhesus monkeys and specific cell lines. It's the kind of thing I don't generally care for in science fiction. What I did care about were the characters, and specifically, how well the author described the intimacy that took place between them.